Regulation cheating
David Andersen
david at davidandersenpianos.com
Wed Jun 27 13:30:15 MDT 2007
On Jun 27, 2007, at 10:32 AM, A440A at aol.com wrote:
> Triage. First and biggest thing, (assuming all the flange
> screws are
> tight), is lost motion. After deciding on a blow distance, bring
> lost motion
> down to the minimum. You may be surprised to find there is
> aftertouch in
> there, after all, and the back checking is much improved without
> any time spent on
> it.
> After than, you can decide whether there is time(budget)
> enough to
> either set let-off or dip. Ideally you could do both.
> If you haven't broken their bank, by now, cast your eyes upon the
> hammers. You can remove most of the dead felt on either side of
> the strikepoint
> without altering the actual hammer length, and a quick pass of a
> hot iron on a
> thin strip of damp flannel will take a lot of the snarl out of
> those hammers.
>
> Ed Foote RPT
Fantastic advice, Ed. Listen up, Michelle.
The only thing I would add is that there is one protocol that seems
to, in a triage situation, produce more good benefits than any other
single thing I can do to an upright piano---raising the key height.
In an old piano there is no doubt that the felt balance rail
punchings have compressed, and in extreme environments, the balance
rail shims and the balance rail itself have lost mass and size.
Raising the key height, and quick-leveling the keys---dead easy on an
upright---cause almost miraculous positive changes in the piano action.
You'll have to ask the spatial intelligence wizards, such as Mr.
Foote, or Mr. Erwin, or our English brother Mr. Delacour, to walk you
through what exactly happens when the key height is brought back
somewhere close to its original height. Its effect, which I've
witnessed thousands of times, speaks for itself.
Battlefield Triage Upright Piano Magic
****I do two test keys, usually middle C and the C# next to it. I try
one blue punching under the felt balance rail punching and that works
90% of the time, especially in your triage situation, and I go
through all the steps below.***
If you have more time and money to operate with, naturally the
protocols become more complex and thorough, and beyond the scope of
triage.
1. Remove the keys
2. "Vacuum w/ paintbrush" cleaning (don't suck up the punchings,
newbies. DAMHIK.)
3. Put a blue punching under each felt balance rail punching.
4. Replace the keys.
5. Check let-off---it got closer; make sure no hammers block.
6. Check lost motion---if you have a little more time, you can shim
the rest rail up and have a "correct" blow distance; then you'll for
sure have to regulate 88 notes for blow, but the action will work
better.
7. Regulate backchecks---it'll check back a lot closer with the
raised key height...just even 'em out. Again test a couple notes in
the middle of the piano to feel what backcheck distance feels best
when the note is played; there's definitely a checking "sweet spot"
on pianos.
This will take between 1 and 2 hours, and will make a radical
positive change in the touch of the piano.
Best,
David Andersen
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